Page Comparison

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When recording you will patch the boom mic into Input 1 (primary) and the on-board mic into Input 2 (safety).

On the timeline you will see both sources of audio, they will be slightly different and therefore competing with each other.

When you edit you will only use one of the sources, for the most part this will be the boom microphone. The on-board mic is a safety and can be used if something goes wrong with your primary audio source.

This two step process will show you how to do this:

Right click on the audio in the timeline and select Audio Channels... from the menu

Tip

title	Multiple Audio Tracks

You can select multiple audio tracks if you wish

Info

title	L & R

The Left track is always on top (Input 1 from camera)

The Right track is always on the bottom (Input 2 from camera)

The Modify Clip box opens, it will look similar to the image .
Select the L check box on clip 2 (both clips should be selected under L). This will create a dual mono track, which is what we want.

Your clips should look like this

Select OK

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Versions Compared

Old Version 5

New Version Current

Key

When recording you will patch the boom mic into Input 1 (primary) and the on-board mic into Input 2 (safety).

On the timeline you will see both sources of audio, they will be slightly different and therefore competing with each other.

When you edit you will only use one of the sources, for the most part this will be the boom microphone. The on-board mic is a safety and can be used if something goes wrong with your primary audio source.

This two step process will show you how to do this:

Right click on the audio in the timeline and select Audio Channels... from the menu

You can select multiple audio tracks if you wish

The Left track is always on top (Input 1 from camera)

The Right track is always on the bottom (Input 2 from camera)

The Modify Clip box opens, it will look similar to the image .
Select the L check box on clip 2 (both clips should be selected under L). This will create a dual mono track, which is what we want.

Your clips should look like this

Select OK

Page Comparison

Versions Compared

Old Version 5

New Version Current

Key

When recording you will patch the boom mic into Input 1 (primary) and the on-board mic into Input 2 (safety).

On the timeline you will see both sources of audio, they will be slightly different and therefore competing with each other.

When you edit you will only use one of the sources, for the most part this will be the boom microphone. The on-board mic is a safety and can be used if something goes wrong with your primary audio source.

This two step process will show you how to do this:

Right click on the audio in the timeline and select Audio Channels... from the menu

You can select multiple audio tracks if you wish

The Left track is always on top (Input 1 from camera)

The Right track is always on the bottom (Input 2 from camera)

The Modify Clip box opens, it will look similar to the image .Select the L check box on clip 2 (both clips should be selected under L). This will create a dual mono track, which is what we want.

Your clips should look like this

Select OK

The Modify Clip box opens, it will look similar to the image .
Select the L check box on clip 2 (both clips should be selected under L). This will create a dual mono track, which is what we want.