When you patch your mic sources into the camera (boom mic to Input 1, on-board mic to Input 2) you are recording two separate mono audio sources.

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Applying effects to audio is exactly the same as applying effects to vision.

Find the effect you are after by looking through the Effects tab (Audio Effects) in the Project panel, then drag and drop the effect onto the audio file on the timeline that you wish to manipulate.

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Once you have placed the effect onto the desired audio file, double click that file to populate it into the Source panel and select the Effect Controls tab.

From here you will be able to manipulate the associated variables for that effect.

If you decide you do not want to use the effect, you can simply deselect the fx box next to the effect name, or select the effect name and press the delete button on your keyboard.

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Tip

title	Note

The on-board mic levels (Input 2) should be lowered slightly compared to the boom mic (Input 1), and will act as a backup, or safety, in the event you get distortion or other anomalies in your record.

In Premiere the two mic sources will look like the image to the left (levels will be dependant on how you set them to record). One source will come out the left channel, the other, the right channel.

You will inevitably only utilise one of the microphone sources.

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title	Common Effects

The following are common effects used in audio post and how to utilise them effectively and efficiently.

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Tip

Soundscape Workshop Exercise #3

Add two effects to your audio clips on the Timeline

NEXT STEP

Info

title	Need Help?

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Old Version 15

New Version Current

Key

When you patch your mic sources into the camera (boom mic to Input 1, on-board mic to Input 2) you are recording two separate mono audio sources.

Applying effects to audio is exactly the same as applying effects to vision.

Find the effect you are after by looking through the Effects tab (Audio Effects) in the Project panel, then drag and drop the effect onto the audio file on the timeline that you wish to manipulate.

Once you have placed the effect onto the desired audio file, double click that file to populate it into the Source panel and select the Effect Controls tab.

From here you will be able to manipulate the associated variables for that effect.

If you decide you do not want to use the effect, you can simply deselect the fx box next to the effect name, or select the effect name and press the delete button on your keyboard.

The on-board mic levels (Input 2) should be lowered slightly compared to the boom mic (Input 1), and will act as a backup, or safety, in the event you get distortion or other anomalies in your record.

In Premiere the two mic sources will look like the image to the left (levels will be dependant on how you set them to record). One source will come out the left channel, the other, the right channel.

The following are common effects used in audio post and how to utilise them effectively and efficiently.

Soundscape Workshop Exercise #3

Add two effects to your audio clips on the Timeline

NEXT STEP

Contact a Post-Production Specialist

Related Articles

Page Comparison

Versions Compared

Old Version 15

New Version Current

Key

Applying effects to audio is exactly the same as applying effects to vision.

Find the effect you are after by looking through the Effects tab (Audio Effects) in the Project panel, then drag and drop the effect onto the audio file on the timeline that you wish to manipulate.

Once you have placed the effect onto the desired audio file, double click that file to populate it into the Source panel and select the Effect Controls tab.

From here you will be able to manipulate the associated variables for that effect.

If you decide you do not want to use the effect, you can simply deselect the fx box next to the effect name, or select the effect name and press the delete button on your keyboard.

When you patch your mic sources into the camera (boom mic to Input 1, on-board mic to Input 2) you are recording two separate mono audio sources.

The on-board mic levels (Input 2) should be lowered slightly compared to the boom mic (Input 1), and will act as a backup, or safety, in the event you get distortion or other anomalies in your record.

In Premiere the two mic sources will look like the image to the left (levels will be dependant on how you set them to record). One source will come out the left channel, the other, the right channel.

The following are common effects used in audio post and how to utilise them effectively and efficiently.

Soundscape Workshop Exercise #3

Add two effects to your audio clips on the Timeline

NEXT STEP

Contact a Post-Production Specialist

Related Articles