Location Equipment and Recording
EQUIPMENT LIST 1
Camera:	To be decided
Recording Medium:
Tripod:
Sound:	Zoom F6 Field Recorder Kit
Lights:	Aputure LS60X 3 point Lighting Kit Cineroid LED Lighting Kit Forza 300Bii LED Lights To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.
Accessories:	Spider Dolly Lighting Gels and Scrims Reflectors Power cables and power distribution boards Safety equipment – sandbags, reflective vests.
Accessories Requiring Academic Approval:	GoPro Jib Arm Wally Dolly Kit To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.
EQUIPMENT LIST 2
Camera:	To be decided
Recording Medium:
Tripod:
Sound:	Zoom F6 Kit Field Recorder Kit
Lights:	Aputure LS60X 3 point Lighting Kit Cineroid LED Lighting Kit Forza 300Bii LED Lights To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.
Accessories:	Spider Dolly Lighting Gels and Scrims Reflectors Power cables and power distribution boards Safety equipment – sandbags, reflective vests.
Accessories Requiring Academic Approval:	GoPro Jib Arm Wally Dolly Kit To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.
Recording Format These are the Recording Formats based on the unit and the equipment, specifically for the camera used for the assignment.
RECORDING FORMAT 1 TBD
HD 422 50/ 1080/25p
Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.
RECORDING FORMAT 2 TBD
1080 - 25P FH
Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.

Editing and Post- Production
Students enrolled in Experimental Screens as part of a Screen Arts major or minor will use MAC base Adobe Premiere Pro for editing and post-production.
/wiki/spaces/CKB/pages/2583715 Media is data-wrangled into an appropriate folder structure on the MCASI Server using the required card reader either in each Adobe Premiere Pro editing suite, or acquired from the MCASI Store, and subsequently imported into Premiere through the Project Browser Panel. Each step in the process is detailed in the Adobe Premiere Pro Section.
SEQUENCE SETTINGS Will be based on the clips from the selected camera
Timebase:	25fps
Frame Size:	1920x1080 (16:9)
Pixel Aspect Ratio:	Square Pixels (1.0)
Exporting (Submitting Work)
/wiki/spaces/CKB/pages/2583852 Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms.
ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS
VIDEO
Export Preset:	Curtin MCASI Assessment Export
Format:	QuickTime
Video Codec:	H.264
Quality:	100
Width:	1920
Height:	1080
Frame Rate:	25
Field Order:	Progressive
Aspect:	Square Pixels (1.0)
AUDIO
Audio Codec:	Uncompressed
Sample Rate:	48kHz
Channels:	Stereo
Audio Track Layout:	Single Track

Equipment Availability
All equipment associated with SCST2009	Maximum two day consecutive booking or over weekend loan Booking MUST be made at least 24hours before collection Access to equipment is always at the Supervising Tutor’s discretion Any group returning equipment later then the nominated ‘return time’, risks the action being deemed as an unauthorised extension.
Academic Approval	To gain access to equipment students MUST complete the appropriate online Concept Proposal along with Risk Assessment if required.

Page:
2.1.2 - SPRO2000: Studio Production (Screen Arts & Journalism)
Page:
2.1.3 - SPRO2001: Screen Production Using Digital Effects (Screen Arts & Journalism)
Page:
SCST2009 - iPad - Garageband - Export Audio File (Screen Arts & Journalism)
Page:
SCST2009 - iPad - iMovie Export (Screen Arts & Journalism)
Page:
SCST2009 - Smartphone Projector 2.0 (Screen Arts & Journalism)
Page:
SCST2009 - iPad - iMovie - Open Audio and Media Files (Screen Arts & Journalism)
Page:
2.2.7 - JOUR3004: Advanced Broadcast (Screen Arts & Journalism)
Page:
WS - Advanced DataWrangling (Screen Arts & Journalism)
Page:
2.1.4 - SCST2009: Experimental Screens (Screen Arts & Journalism)
Page:
2.2.3 - JOUR2002: Video News (Screen Arts & Journalism)
Page:
2.1.1 - SPRO1000: Introduction to Screen Practice (Screen Arts & Journalism)
Page:
2.1.6 - SPRO3003: Advanced Studio Production (Screen Arts & Journalism)
Page:
Unit Specific (Screen Arts & Journalism)
Page:
SPRO2003 - Advanced DataWrangling (Screen Arts & Journalism)
Page:
2.1.8 - SPRO3004: Community Media Production (Screen Arts & Journalism)

Location Equipment and Recording

EQUIPMENT LIST 1

Camera:

To be decided

Recording Medium:

Tripod:

Sound:

Zoom F6 Field Recorder Kit

Lights:

Aputure LS60X 3 point Lighting Kit

Cineroid LED Lighting Kit

Forza 300Bii LED Lights

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Accessories:

Spider Dolly

Lighting Gels and Scrims

Reflectors

Power cables and power distribution boards

Safety equipment – sandbags, reflective vests.

Accessories Requiring Academic Approval:

GoPro

Jib Arm

Wally Dolly Kit

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

EQUIPMENT LIST 2

Camera:

To be decided

Recording Medium:

Tripod:

Sound:

Zoom F6 Kit Field Recorder Kit

Lights:

Aputure LS60X 3 point Lighting Kit

Cineroid LED Lighting Kit

Forza 300Bii LED Lights

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Accessories:

Spider Dolly

Lighting Gels and Scrims

Reflectors

Power cables and power distribution boards

Safety equipment – sandbags, reflective vests.

Accessories Requiring Academic Approval:

GoPro

Jib Arm

Wally Dolly Kit

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Recording Format

These are the Recording Formats based on the unit and the equipment, specifically for the camera used for the assignment.

RECORDING FORMAT 1

TBD

HD 422 50/ 1080/25p

Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.

RECORDING FORMAT 2

TBD

1080 - 25P FH

Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.

Editing and Post- Production

Students enrolled in Experimental Screens as part of a Screen Arts major or minor will use MAC base Adobe Premiere Pro for editing and post-production.

/wiki/spaces/CKB/pages/2583715

Media is data-wrangled into an appropriate folder structure on the MCASI Server using the required card reader either in each Adobe Premiere Pro editing suite, or acquired from the MCASI Store, and subsequently imported into Premiere through the Project Browser Panel.

Each step in the process is detailed in the Adobe Premiere Pro Section.

SEQUENCE SETTINGS

Will be based on the clips from the selected camera

Timebase:

25fps

Frame Size:

1920x1080 (16:9)

Pixel Aspect Ratio:

Square Pixels (1.0)

Exporting (Submitting Work)

/wiki/spaces/CKB/pages/2583852

Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms.

ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS

VIDEO

Export Preset:

Curtin MCASI Assessment Export

Format:

QuickTime

Video Codec:

To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.

To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.

To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.

To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.

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