The Deity Timecode unit showing its “Homepage” of operation.
The Deity is able to be switched ON, by holding the Yellow Button on the side of the unit.
The ‘Deity Timecode’ unit can be referred to as a timecode generator or a master timecode device. Using this device is paramount for the camera and the audio to be ‘Synced’ [in full terminology] Synchronised. The Deity TC-1 unit is vital, as it becomes our constant timing for when using the production cameras along with the audio recording being done separately…for example…onto a ‘Zoom F8’ audio-recorder.
Synchronisation is essential to keep the camera recording and audio recordings timing, or ‘Frame Rate’ exact [without one or the other drifting in time or frame rate]. The frame rate is when consecutive images are recorded to make 1 second of ‘recorded’ time.
At Curtin, we use 25fps as our main frame rate. This means the camera will need to be set to record 25 frames per second (FPS) to produce 1 second of recorded time. Hence, the camera’s FPS needs to be checked before recording an audio-visual scene with dialogue.
The Deity TC-1 unit generates a constant external timecode source. This is also recorded by the camera and the Zoom F8 Audio recorder for synchronisation later. The recordings can then be 'locked' with this timing reference in Post Production.
If the camera’s FPS or the Audio Recorder Timecode is not checked against the Deity, then a mismatch will occur. Consequently, the Timecode will not match the camera and audio and there will be a problem with synchronisation later for the Editor.
The use of the Clapper Board also acts then a Visual description of the Scene along with the ‘Sticks Clap' for manually syncing audio. This can then take more time for the Editor.
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Close up of screen to indicate each item described below |
Steps to follow after switching on the device are.
The Deity TC-1 unit needs to be set to MASTER. Which means the Deity has been set to generate the timecode as the recording reference. From this point it can be referred to as ‘Master’ - its now the main device that all recording devices will be referenced to for timing.
This timing is necessary when the Editor lays down the separate Video and Audio Tracks onto the Time Line within the Editing Software. This 'timing' ensures that both the Video and Audio are Sync’d,
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This avoids Lip-sync problems when editing which is noticable to professionals. |
The second item to check as explained above is the FPS [frames per second]. For Curtin 25FPS is required.
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However, if the camera is used to shoot a special video effect [e.g. slow motion] then the Sync or Frame rate will not be the same as the audio dialogue from the Zoom F8. This is why the physical clapper board will still be used, having MOS circled for the Editor to know that there is a disconnection of the timecode. This is to show that no sound was recorded. MOS indicated historically that "motor only sync" or "motor only shot". |
For the Deity TC-1 to be connected to the camera and the camera to record the timecode accurately, the output level from the unit needs to set. To do so, we need to check that LTC is set. This is known as L-Out in the Deity.
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LTC is an acronym for Longitudinal Time Code. This is the term given to timecode being recorded or embedded longitudinally as the camera records. |
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Please
followsee the pictures below.
The explanations are to the right of each picture.It explains the use of each Icon found on the Main Page.
The first one being the unit after being switched on.
To turn on Deity TC-1 press and hold Yellow button on the edge of the Unit Large until display lights. Deity is now on (as shown).
Operational icons displayed.
Padlock- Lock / Unlock
M- Master Run
25- Frame Rate
A- Frequency for Jam Sync
L-Out- LTC signal out
To see the following, use the Scroll wheel.
TC- central mode for Timecode
Bluetooth- Reset Bluetooth for App connection
Settings- Name of Unit
To quickly check each parameter of the Unit, the Unit may need to be unlocked. Check Padlock icon.
To do so, Press the Yellow button 3 x times in quick succession, this allows the unit to be unlocked.
Then scroll through the icons using the Black ‘Scroll wheel’ at the top right corner of the Deity. This button is then pressed to Select the required operation.
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If the screen is not being displayed, Press the Yellow button once to “Wake Up' the device. |
To Set Timecode
orwith Time of Day T.o.D Timecode
The Deity TC-1 can be used through an App available through the App Store iOS or Google Play Android.
The App is named Sidus Audio
Once on your phone, it will be setup via Bluetooth connection.
This then allows you to have functionality over the Device, enabling you to
Set Time of Day Timecode T. O. D if required.
Within the App, choose the Settings icon and here you are able to clearly identify all the Main parameters
Device Name - self explanatory
Timecode - Sets the Timecode of the Generator. The ‘Clock’ icon shown, allows you to use the Phones time as inputting the ToD Timecode.
User Bits is optional but can be given the Date of shoot.
The List shown, allows us to see which FPS has been chosen for the shoot.
TC Type This shows that the Deity is set to be a Int Free Run
Output Volume is LTCfor cameras at Curtin. (LTC Longitudinal Time Code)
To use more than 1 camera on a Production, provided from the MCASI Store along with the Zoom F8 for Audio. These recording devices all need to be ‘Synced' to the Deity TC-1.
This applies to the Blackmagic, FS5 or FS7the Sony FX30 as well as the FX6. Only these 3 cameras are provided with the UltraSync Unit for Timecode synchronization..
For more information on the BlackMagic camera and Time Code
For more information on the Sony FS5 M2 camera and Time Code
For more information on the Sony FS7 M2 camera and Time Code
refer to this manual; Journalism Camera - Sony ZV-E1
refer to this; Action Camera - Insta360 One X
refer to this; Journalism Camera - Sony A6400
PLEASE NOTE; these instructions begin at the Homepage of the Unit
To enable the second UltraSync to ‘Slave’ to the Master ;
Ensure you designate one of the Units as Master. (See Homepage picture above)
Then with this Unit as Master showing INT-GEN TX (Master) on the Homepage, look at the picture to the left, check to see that Ch.FC01 is displayed. This indicates Country the Unit is in along with the Channel frequency. FC is Country and 01 Channel.
The Code FC is for Australia
To set the Area of Country operation
Press LB once, then the Up button x 4 to System Settings, Press LB once to “Set RF Country Area” ,LB once to Select this then shows Area:US/CA/AU/NZ.
This is the required settings to use. LB to accept
To Set the RF Channel No.
Press LB once, press the Up button x2 to show Set RF Channel No.
This should be on the number 1, the press LB to accept.
Setup of Master and Slave Units
To now setup the two units, designate one Unit as Master with TOD Timecode as mentioned (Unit at far left). Now using the second UltraSync Unit, bring it up to the Master Unit.
As seen in the picture to the left, both Units are operating as Master, with the same Country Mode and Frequency.
To Jam Sync the Right Unit as Slave, Press the Down button once to show Jam RF Timecode followed by the LB once to accept this change.
This procedure takes about 5-10 seconds. So wait until you see the confirmation that Jam Sync has worked.
As seen the right Unit has successfully been Jam Synced to the Master, (left).
Both UltraSync Units now in Synchronization.
Note that the Green LED light on both Units will now flash simultaneously to indicate both are operating as one.
Deity TC-1 Unit for Timecode synchronization..