Location Equipment and Recording | |
EQUIPMENT LIST | |
Camera: | Sony PXW -Z280 XDCAM HD Camcorder Canon XF605 with proprietary batteries, power supply/charger and lens pen – in road case. |
Recording Medium: | Sony 32GB SxS-1 Memory Card SD Card |
Tripod: | Manfrotto Miller CX2 with quick releaseplate – in fabric carry caseplate |
Sound: | Shure FP 33 Audio MixerSennheiser ME66 Microphone with Shock Mount and WindsockHeadphones for MixerHeadphones for CameraAssorted Batteries (9V & AA) and XLR CablesAKG MPAIII Lapel MicrophoneBoom Pole |
Lights: | Lilliput or Jet KitsAputure LS60X 3 point Lighting KitCineroid LED PortableRedhead Kits**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.Forza 300Bii LED LightsTV Studio Lighting |
Accessories: | Spider DollyLighting Gels and ScrimsReflectorsPower cables and power distribution boardsSafety equipment – sandbags, reflective vests. |
Accessories Requiring Academic Approval: | GoProJib ArmWally Dolly Track Kit**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop. |
Recording FormatThis is the Recording Format based on the unit and the equipment, specifically for the camera used for the assignment. |
RECORDING FORMATSony PMW-300K1 XDCAM HD CamcorderCanon XF605 XF-series professional-use camcorder |
HD 422 50/ 1080/25p |
Check these settings when collecting camera equipment from theMCCAMCASI Store, and if they are different, please ask one of the technical staff or theMCCAMCASI Store for assistance in re-setting them to the above parameters. |
Editing and Post- Production | |
Students enrolled in SPRO2000 |
Studio Production as part of a Screen Arts major or minor will use MAC base Adobe Premiere Pro for editing and post-production. | |
/wiki/spaces/CKB/pages/2583715Media is data-wrangled into an appropriate folder structure on the MCASI |
Server using the SD card reader in each Adobe Premiere Pro editing suite, and subsequently imported into Premiere through the Project Browser Panel.Each step in the process is detailed in the Adobe Premiere Pro Section. | |
SEQUENCE SETTINGSWill be based on the clips from |
the Canon XF605 XF-series professional-use camcorder | |
Frame Rate: | 25fps |
Frame Size: | 1920x1080 (16:9) |
Pixel Aspect Ratio | Square Pixels (1.0) |
Gamma Color Science Setup | BT709 (Standard) is strongly recommended. This Unit is ENG only. |
Exporting (Submitting Work) SPRO2000 |
Studio |
ProductionThere are two export formats for |
Studio |
Production students exporting work to the completed assignments folder. | |
/wiki/spaces/CKB/pages/2583852Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms. | |
ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS | |
VIDEO | |
Format: | QuickTime |
Video Codec: | H.264 |
Quality: | 100 |
Width: | 1920 |
Height: | 1080 |
Frame Rate: | 25 |
Field Order: | Progressive |
Aspect: | Square Pixels (1.0 |
AUDIO
Audio Codec:
Uncompressed
Sample Rate:
48kHz
Channels:
Stereo
Sample Size:
16-bit
Audio Track Layout:
Single Track
/wiki/spaces/CKB/pages/2584190
Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms.
This export must have TURBO added to the Output name.
This export should also be CLEAN, meaning no Bars and Tone, Ident Slate or Universal Counting Leader.
ADOBE PREMIERE PRO TURBO EXPORT SETTINGS
VIDEO
Format:
QuickTime
Video Codec:
DV25 PAL
Quality:
) |
Width:
Not Applicable (Preset)
Height:
Not Applicable (Preset)
Frame Rate:
25
Field Order:
Not Applicable (Preset)
Aspect:
D1/DVPAL Widescreen 16:9 (1.4587)
AUDIO | |
Audio Codec: | Uncompressed |
Sample Rate: | 48kHz |
Channels: | Stereo |
Sample Size: | 16-bit |
Audio Track Layout: | Single Track |
Equipment Availability | |
EQUIPMENT AVAILABILITY | |
All equipment associated withSPR2000 |
|
Academic Approval | To gain access to equipment students MUSTpresentcomplete theappropriate Project Approval signedonline Project Proposal and if requested by their tutorand/or Unit Coordinator along with, the relevant Risk Assessment documentation. |
Booking theTVProduction Studio to practice and rehearse your production |
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Between Weeks 7 and 11, SPRO2000 students can book the
TVProduction Studio to practice and rehearse their final assessment productions as per the guidelines below.
Maximum Booking Duration | 4 Hours | Maximum Booking Duration limits how long a booking can be made for. Calculated in physical hours. |
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Minimum Booking Duration | 1 hour | Minimum Booking Duration is the minimum length of time a booking has to be made for. |
Maximum Booking Notice | 7 Days | A specified duration of time within which a booking can be made, this is to limit how far in the future a booking can be made. |
Maximum Booking Allowance | 1 booking every 12 hours | Maximum Booking Allowance per asset per user within number of hours. The system will check to see if the user has booked any of the assets in the group exceeding this Booking Allowance. |