Information Required for Usage of Professional Camera Equipment held in MCASI Store
For undergraduates’ courses, camera selection is pre-allocated to the various units and is approved through the Project Approval process with their supervising tutor.
Undergraduates wanting to access a camera outside of their unit allocation MUST seek approval from their supervising academic and are to discuss details during the Project Approval process such as;
The reasoning for selecting the camera chosen for the project, including both creative and technical aspects
Shooting environment (interior, exterior, etc.)
Any other relevant details
Sony PXW-FS7ii | Sony PXW-FS5ii | BM Pocket Camera 4K | Sony PXW-Z280 | |
Camera Availability | 3rd Year Students | 2nd & 3rd Year Students | 2nd & 3rd Year Students | 2nd & 3rd Year Students |
Camera Format | Mid-Range Cinema/Doco | Mid-Range Cinema/Doco | Mid-Range Cinema/Doco | ENG/Low End Doco |
Max Resolution | 3840x2160 (4K) | 4K (4096 x 2160) | 4K (4096 x 2160) | 4K (3840 x 2160p) |
MAX FPS | 180FPS @ 2K | 180FPS @ 2K | 120FPS @ 2K | 120FPS @ 1080p |
ND Filter | Yes: Variable Up to 10 stops | Yes: Variable up to 10 stops | No | Yes: Variable up to 10 Stops |
Lens Mount | E Mount | E Mount | MFT Mount | 2/3 Inch Bayonet Mount |
Sensor | Super 35mm | Super 35mm | Micro 4/3 (Super 16mm) | 3 x CMOS 1/2” |
Dynamic Range | 14 Stops | 14 Stops | 14 Stops | 11-13 Stops |
Codec | 12-bit 4:4:4 (XDCA-FS7)Otherwise 10 bit 4:2:2. | 10 bit 442 (12 in raw) | 10 bit 442 (12 in raw) | 10 bit 422 XAVC L |
Number of Cameras | 3 | 3 | 3 | 10 |
Approval Process | Supervising Academic | Supervising Academic | Supervising Academic | Supervising Academic |
Projects requiring Head of School Approval
Requests for equipment project usage to be approved by the School Business Manager (delegated from Head of School):
Any overseas/international usage by staff or students
Any requests by Curtin staff from other Schools (not MCASI)
Any requests for usage at Curtin events
Any other requests for usage not mentioned above
In the first instance, all requests must be directed through the Manager, Creative Production Support Unit.
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