Location Equipment and Recording
EQUIPMENT LIST
Camera:	Canon XF605 with proprietary batteries, power supply/charger and lens pen – in road case.
Recording Medium:	SD Card
Tripod:	Miller CX2 with quick release plate
Sound:	Shure FP 33 Audio Mixer Sennheiser ME66 Microphone with Shock Mount and Windsock Headphones for Mixer Headphones for Camera Assorted Batteries (9V & AA) and XLR Cables AKG MPAIII Lapel Microphone Boom Pole
Lights:	Aputure LS60X 3 point Lighting Kit Cineroid LED Portable To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.
Accessories:	Spider Dolly Lighting Gels and Scrims Reflectors Power cables and power distribution boards Safety equipment – sandbags, reflective vests.
Accessories Requiring Academic Approval:	GoPro Jib Arm Wally Dolly Track Kit To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.

Recording FormatThis is the Recording Format based on the unit and the equipment, specifically for the camera used for the assignment.

RECORDING FORMATCanon XF605 XF-series professional-use camcorder

HD 422 50/ 1080/25p

Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.

Editing and Post- Production
Students enrolled in SPRO2000 Studio Production as part of a Screen Arts major or minor will use MAC base Adobe Premiere Pro for editing and post-production.
/wiki/spaces/CKB/pages/2583715 Media is data-wrangled into an appropriate folder structure on the MCASI Isilon Server using the SD card reader in each Adobe Premiere Pro editing suite, and subsequently imported into Premiere through the Project Browser Panel. Each step in the process is detailed in the Adobe Premiere Pro Section.
SEQUENCE SETTINGS Will be based on the clips from the Canon XF605 XF-series professional-use camcorder
Timebase	25fps
Frame Size:	1920x1080 (16:9)
Pixel Aspect Ratio	Square Pixels (1.0)
Exporting (Submitting Work) SPRO2000 Studio Production There are two export formats for Studio Production students exporting work to the completed assignments folder.
/wiki/spaces/CKB/pages/2583852 Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms.
ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS
VIDEO
Format:	QuickTime
Video Codec:	H.264
Quality:	100
Width:	1920
Height:	1080
Frame Rate:	25
Field Order:	Progressive
Aspect:	Square Pixels (1.0)
AUDIO
Audio Codec:	Uncompressed
Sample Rate:	48kHz
Channels:	Stereo
Sample Size:	16-bit
Audio Track Layout:	Single Track

Equipment Availability
EQUIPMENT AVAILABILITY
All equipment associated with SPR2000	Maximum two day consecutive booking or over weekend loan Booking MUST be made at least 24hours before collection Access to equipment is always at the Supervising Tutor’s discretion Any group returning equipment later then the nominated ‘return time’, risks the action being deemed as an unauthorised extension.
Academic Approval	To gain access to equipment students MUST complete the online Project Proposal and if requested by their tutor, the relevant Risk Assessment documentation.

Booking the TV Studio to practice and rehearse your production

Between Weeks 7 and 11, SPRO2000 students can book the TV Studio to practice and rehearse their final assessment productions as per the guidelines below.

Maximum Booking Duration	4 Hours	Maximum Booking Duration limits how long a booking can be made for. Calculated in physical hours.
Minimum Booking Duration	1 hour	Minimum Booking Duration is the minimum length of time a booking has to be made for.
Maximum Booking Notice	7 Days	A specified duration of time within which a booking can be made, this is to limit how far in the future a booking can be made.
Maximum Booking Allowance	1 booking every 12 hours	Maximum Booking Allowance per asset per user within number of hours. The system will check to see if the user has booked any of the assets in the group exceeding this Booking Allowance.

To Book the Studio Space for SPRO2000 Practice. Please see Link- SPRO2000.pdf

Page:
2.1.2 - SPRO2000: Studio Production
Page:
2.1.4 - SCST2009: Experimental Screens
Page:
2.1.6 - SPRO3003: Advanced Studio Production
Page:
2.1.8 - SPRO3004: Community Media Production

2.1.2 - SPRO2000: Studio Production

Location Equipment and Recording

EQUIPMENT LIST

Camera:

Canon XF605 with proprietary batteries, power supply/charger and lens pen – in road case.

Recording Medium:

SD Card

Tripod:

Miller CX2 with quick release plate

Sound:

Shure FP 33 Audio Mixer

Sennheiser ME66 Microphone with Shock Mount and Windsock

Headphones for Mixer

Headphones for Camera

Assorted Batteries (9V & AA) and XLR Cables

AKG MPAIII Lapel Microphone

Boom Pole

Lights:

Aputure LS60X 3 point Lighting Kit

Cineroid LED Portable

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Accessories:

Spider Dolly

Lighting Gels and Scrims

Reflectors

Power cables and power distribution boards

Safety equipment – sandbags, reflective vests.

Accessories Requiring Academic Approval:

GoPro

Jib Arm

Wally Dolly Track Kit

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Recording Format

This is the Recording Format based on the unit and the equipment, specifically for the camera used for the assignment.

RECORDING FORMAT

Canon XF605 XF-series professional-use camcorder

HD 422 50/ 1080/25p

Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.

Editing and Post- Production

Students enrolled in SPRO2000 Studio Production as part of a Screen Arts major or minor will use MAC base Adobe Premiere Pro for editing and post-production.

/wiki/spaces/CKB/pages/2583715

Media is data-wrangled into an appropriate folder structure on the MCASI Isilon Server using the SD card reader in each Adobe Premiere Pro editing suite, and subsequently imported into Premiere through the Project Browser Panel.

Each step in the process is detailed in the Adobe Premiere Pro Section.

SEQUENCE SETTINGS

Will be based on the clips from the Canon XF605 XF-series professional-use camcorder

Timebase

25fps

Frame Size:

1920x1080 (16:9)

Pixel Aspect Ratio

Square Pixels (1.0)

Exporting (Submitting Work) SPRO2000 Studio Production

There are two export formats for Studio Production students exporting work to the completed assignments folder.

/wiki/spaces/CKB/pages/2583852

Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms.

ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS

VIDEO

Format:

QuickTime

Video Codec:

H.264

Quality:

100

Width:

1920

Height:

1080

Frame Rate:

25

Field Order:

Progressive

Aspect:

Square Pixels (1.0)

AUDIO

Audio Codec:

Uncompressed

Sample Rate:

48kHz

Channels:

Stereo

To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.

To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop**.