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Location Equipment and Recording |
EQUIPMENT LIST |
Camera: | Canon XF605 with proprietary batteries, power supply/charger and lens pen – in road case. |
Recording Medium: | SD Card |
Tripod: | Miller CX2 with quick release plate |
Sound: | Sennheiser ME66 Microphone with Shock Mount and WindsockHeadphones for CameraAssorted Batteries (9V & AA) and XLR CablesAKG MPAIII Lapel MicrophoneBoom Pole |
Lights: | Aputure LS60X 3 point Lighting KitCineroid LED PortableForza 300Bii LED LightsTV Studio Lighting |
Accessories: | Spider DollyLighting Gels and ScrimsReflectorsPower cables and power distribution boardsSafety equipment – sandbags, reflective vests. |
Accessories Requiring Academic Approval: | GoProJib ArmWally Dolly Track Kit |
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Canon XF605 XF-series professional-use camcorder |
HD 422 50/ 1080/25p |
Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters. |
Editing and Post- Production |
Students enrolled in SPRO2000 Studio Production as part of a Screen Arts major or minor will use MAC base Adobe Premiere Pro for editing and post-production. |
Each step in the process is detailed in the Adobe Premiere Pro Section. |
Will be based on the clips from the Canon XF605 XF-series professional-use camcorder |
Frame Rate: | 25fps |
Frame Size: | 1920x1080 (16:9) |
Pixel Aspect Ratio | Square Pixels (1.0) |
Gamma Color Science Setup | BT709 (Standard) is strongly recommended. This Unit is ENG only. |
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ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS |
VIDEO |
| QuickTime |
Video Codec: | H.264 |
Quality: | 100 |
Width: | 1920 |
Height: | 1080 |
Frame Rate: | 25 |
Field Order: | Progressive |
Aspect: | Square Pixels (1.0) |
AUDIO |
Audio Codec: | Uncompressed |
Sample Rate: | 48kHz |
Channels: | Stereo |
Sample Size: | 16-bit |
Audio Track Layout: | Single Track |
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Equipment Availability |
EQUIPMENT AVAILABILITY |
All equipment associated with SPR2000 | Maximum two day consecutive booking or over weekend loanBooking MUST be made at least 24hours before collectionAccess to equipment is always at the Supervising Tutor’s discretionAny group returning equipment later then the nominated ‘return time’, risks the action being deemed as an unauthorised extension.
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Academic Approval | To gain access to equipment students MUST complete the online Project Proposal and if requested by their tutor, the relevant Risk Assessment documentation. |
Booking the Production Studio to practice and rehearse your production |
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Between Weeks 7 and 11, SPRO2000 students can book the Production Studio to practice and rehearse their final assessment productions as per the guidelines below.
Maximum Booking Duration | 4 Hours | Maximum Booking Duration limits how long a booking can be made for. Calculated in physical hours. |
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Minimum Booking Duration | 1 hour | Minimum Booking Duration is the minimum length of time a booking has to be made for. |
Maximum Booking Notice | 7 Days | A specified duration of time within which a booking can be made, this is to limit how far in the future a booking can be made. |
Maximum Booking Allowance | 1 booking every 12 hours | Maximum Booking Allowance per asset per user within number of hours. The system will check to see if the user has booked any of the assets in the group exceeding this Booking Allowance. |
How to book the Production Studio for SPRO2000 Practice
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