Location Equipment and Recording | |
EQUIPMENT LIST | |
Camera: | Sony FX6 with proprietary batteries and power supply/charger – in road case. |
Recording Medium: | Sony 80GB CFExpress Type A Card |
Tripod: | Miller Compass CX8 Tripod – in fabric carry case |
Sound: | Zoom F8n Pro RecorderSennheiser ME66 Microphone with Shock Mount and WindsockSennheiser EW122 Radio Lapel MicrophonesHeadphones for Mixer and Headphones for CameraBoom PoleAssorted Batteries (9V & AA) and XLR Cables |
Lights: | Prolycht Orion 300 FS RGB LightNanlite Forza 300B II LightAputure LS60X 3 Point Lighting KitArri Sun 1200 HMINanlite MixPanel 60 RGB LightAputure Light Modifiers**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop. |
Accessories: | Dollies – SpiderLighting Gels and ScrimsReflectorsPower cables and power distribution boardsSafety equipment - sandbags, reflective vests |
Accessories Requiring Academic Approval: | DJI RS 3 Pro GimbalPortable Chroma Key ScreenJib ArmHMI 1200W LightWally Dolly Track KitLow Rider for Wally Dolly**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop. |
Recording FormatThese are the Recording Formats based on the unit and the equipment, specifically for the camera used for the assignment. |
RECORDING FORMATSony FX6 |
XAVC-I 108025 |
Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters. |
Editing and Post- Production | |
Students enrolled in SPRO3007/VISA3024 Major Project Pre-Production/Production as part of a Screen Arts major or minor will use Mac based Adobe Premiere Pro for editing and post-production. | |
/wiki/spaces/CKB/pages/2583715Media is data-wrangled into an appropriate folder structure on the MCASI Isilon Server using the XQD card reader acquired from the MCASI Store, and subsequently imported into Premiere through the Project Browser Panel.Each step in the process is detailed in the Adobe Premiere Pro Section. | |
SEQUENCE SETTINGSWill be based on the unit and the equipment, specifically for the camera used for the assignment | |
Timebase | 25fps |
Frame Size: | 1920x1080 (16:9) |
Pixel Aspect Ratio | Square Pixels (1.0) |
Exporting (Submitting Work) | |
/wiki/spaces/CKB/pages/2583852Use this setting to deliver production assignments for unit assessment and/or in-class screening. This low-file size, medium quality HD file is playable on all platforms. | |
ADOBE PREMIERE PRO ASSESSMENT EXPORT SETTINGS | |
VIDEO | |
Format: | QuickTime |
Video Codec: | H.264 |
Quality: | 100 |
Width: | 1920 |
Height: | 1080 |
Frame Rate: | 25 |
Field Order: | Progressive |
Aspect: | Square Pixels (1.0) |
AUDIO | |
Audio Codec: | Uncompressed |
Sample Rate: | 48kHz |
Channels: | Stereo |
Sample Size: | 16-bit |
Audio Track Layout: | Single Track |
/wiki/spaces/CKB/pages/2583423Use this setting to deliver high-quality HD masters optimised for DCP delivery.This is for Major Project Production ONLY or by request from your tutor.
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ADOBE PREMIERE PRO RAZOR EXPORT SETTINGS | |
VIDEO | |
Format: | QuickTime |
Video Codec: | Apple ProRes 422 (HQ) |
Quality: | 100 |
Width: | 1920 |
Height: | 1080 |
Frame Rate: | 25 |
Field Order: | Progressive |
Aspect: | Square Pixels (1.0) |
AUDIO | |
Audio Codec: | Uncompressed |
Sample Rate: | 48 000 Hz |
Channels: | Stereo |
Sample Size: | 16-bit |
Equipment Availability | |
EQUIPMENT AVAILABILITY | |
All equipment associated withSPRO3004 |
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Academic Approval | To gain access to equipment students MUST present the appropriate Project Approval signed by their tutor and/or Unit Coordinator along with the relevant Risk Assessment documentation. |
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