Skip to end of metadata
Go to start of metadata

You are viewing an old version of this page. View the current version.

Compare with Current View Page History

Version 19 Current »


The MCCA production suites are located on both the 1st and 2nd floor of building 208.

Post-production facilities can be booked for 3-hour blocks. Booking is ESSENTIAL.

If you want to book the the suites please contact MCCA Store.

Please be aware that some suites require permission from tutors/unit coordinators.

MCCA post-production suites are available to all students enrolled in production units. Booking is essential!

To use these facilities start here, or contact Joachim or Adam.

1st year Editing Suites

  • BOOK IN ADVANCE

  • Classes Running have priority to suites

  • No permission from tutor/unit coordinator required

208.118/118A

Editing Software

Premiere Pro CC

 

Equipment

2 x 27' iMac 3.7 GHz Intel Core i7

SD/CF Card Reader

Speakers

 

208.119/119A

Editing Software

Premiere Pro CC

 

Equipment

2 x 27' iMac 3.7 GHz Intel Core i7

SD/CF Card Reader

Speakers

208.120/120A

Editing Software

Premiere Pro CC

 

Equipment

2 x 27' iMac 3.7 GHz Intel Core i7

SD/CF Card Reader

Speakers

208.121/121A

Editing Software

Premiere Pro CC

 

Equipment

2 x 27' iMac 3.7 GHz Intel Core i7

SD/CF Card Reader

Speakers

2nd/3rd year Editing Suites

  • BOOK IN ADVANCE

  • Classes Running have priority to suites

  • No permission from tutor/unit coordinator required

 208.228A

Editing Software

Premiere Pro CC

 

Equipment

4 x 27' iMac 3.2 GHz Intel Core i5

w/additional 27' Apple Thunderbolt Display

Edirol Speakers


208.228B

Editing Software

Premiere Pro CC

 

Equipment

4 x Mac Pro 2 x 2.4 GHz Quad-Core Intel Xeon

with dual 27' Apple Thunderbolt Display

Edirol Speakers

208.229B

Editing Software

Premiere Pro CC

 

Equipment

4 x 27' iMac 3.2 GHz Intel Core i5

w/additional 27' Apple Thunderbolt Display

Edirol Speakers

208.229C

Editing Software

Premiere Pro CC

 

Equipment

4 x 27' iMac 3.2 GHz Intel Core i5

w/additional 27' Apple Thunderbolt Display

Edirol Speakers

Premiere Pro Resources

A full selection of tutorial videos on how to work Premiere Pro

Web Resources

Walther Murch's Rule of Six - making editing decisions

http://videoandfilmmaker.com/wp/index.php/tutorials/film-editing-walter-murchs-rule-6/

Wolfcrow - workflows for filmmakers and media professionals

http://wolfcrow.com/

Expanded Cinema

http://www.vasulka.org/Kitchen/PDF_ExpandedCinema/ExpandedCinema.html

Film Technique and Film Acting: The cinema writings of V. I. Pudovkin.

https://archive.org/details/filmtechniqueact00pudo

S. Eisenstein: Notes of a Film Director

https://archive.org/details/notesoffilmdirec00eise

A Field in England: A Film4 Masterclass

http://www.afieldinengland.com/masterclass/

Art of the Title: Film Title Sequences explored and analysed with great examples in HD.

http://www.artofthetitle.com/

Australian Screen Editors 

www.screeneditors.com 

Splice Here (Steve Cohen)

http://splicehere.wordpress.com

Creative Cow

http://forums.creativecow.net

Larry Jordan’s Tips 

www.larryjordan.biz

Ken Stone

www.kenstone.net

HD for Indies

www.hdforindies.com

Post Production Standards 

http://editingstandards.blogspot.com 

Senses of Cinema

www.sensesofcinema.com

Written Resources

Bresson, R. (1997). Notes on the Cinematographer (Trans. Jonathan Griffin). Copenhagen : Green Integer 1997.

 

Eisenstein, S. (1968). The Film Sense (Trans. & Ed. Jay Leda). London: Faber & Faber

 

Eisenstein, S. (1977). Film Form – Essays in Film Theory. (Trans. & Ed. Jay Leda). Harcourt, Brace & Co.

 

LoBrutto, V. (1991). Selected Takes: Film editors on editing. New York: Praeger.

 

Murch, W. (2001). In the Blink of an Eye: a perspective on film editing. Los Angeles : Silman-James Press.

 

Mamet, D. (1992). On Directing Film. New York: Penguin.

 

Ondaatje, M. (2003). The Conversations: Walter Murch and the Art of Editing. Bloomsbury Publishing.

 

Pearlman, K. (2009). Cutting Rhythms: Shaping the Film Edit. Amsterdam, Boston: Focal Press/Elsevier.

 

Pepperman, R. (2004). The Eye is Quicker: Film editing – making a good film better. Michael Wiese Productions.

  • No labels