Premiere Pro Editing Suites

The MCCA production suites are located on both the 1st and 2nd floor of building 208. Post-production facilities can be booked for 3-hour blocks. Booking is ESSENTIAL. If you want to book the the suites please contact MCCA Store. Please be aware that some suites require permission from tutors/unit coordinators.
MCCA post-production suites are available to all students enrolled in production units. Booking is essential! To use these facilities start here, or contact Joachim or Adam.
1st year Editing Suites BOOK IN ADVANCE Classes Running have priority to suites No permission from tutor/unit coordinator required	208.118/118A Editing Software Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers	208.119/119A Editing Software Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers	208.120/120A Editing Software Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers	208.121/121A Editing Software Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers
2nd/3rd year Editing Suites BOOK IN ADVANCE Classes Running have priority to suites No permission from tutor/unit coordinator required	208.228A Editing Software Premiere Pro CC Equipment 4 x 27' iMac 3.2 GHz Intel Core i5 w/additional 27' Apple Thunderbolt Display Edirol Speakers	208.228B Editing Software Premiere Pro CC Equipment 4 x Mac Pro 2 x 2.4 GHz Quad-Core Intel Xeon with dual 27' Apple Thunderbolt Display Edirol Speakers	208.229B Editing Software Premiere Pro CC Equipment 4 x 27' iMac 3.2 GHz Intel Core i5 w/additional 27' Apple Thunderbolt Display Edirol Speakers	208.229C Editing Software Premiere Pro CC Equipment 4 x 27' iMac 3.2 GHz Intel Core i5 w/additional 27' Apple Thunderbolt Display Edirol Speakers
Premiere Pro Resources			A full selection of tutorial videos on how to work Premiere Pro
Web Resources			Walther Murch's Rule of Six - making editing decisions http://videoandfilmmaker.com/wp/index.php/tutorials/film-editing-walter-murchs-rule-6/ Wolfcrow - workflows for filmmakers and media professionals http://wolfcrow.com/ Expanded Cinema http://www.vasulka.org/Kitchen/PDF_ExpandedCinema/ExpandedCinema.html Film Technique and Film Acting: The cinema writings of V. I. Pudovkin. https://archive.org/details/filmtechniqueact00pudo S. Eisenstein: Notes of a Film Director https://archive.org/details/notesoffilmdirec00eise A Field in England: A Film4 Masterclass http://www.afieldinengland.com/masterclass/ Art of the Title: Film Title Sequences explored and analysed with great examples in HD. http://www.artofthetitle.com/ Australian Screen Editors www.screeneditors.com Splice Here (Steve Cohen) http://splicehere.wordpress.com Creative Cow http://forums.creativecow.net Larry Jordan’s Tips www.larryjordan.biz Ken Stone www.kenstone.net HD for Indies www.hdforindies.com Post Production Standards http://editingstandards.blogspot.com Senses of Cinema www.sensesofcinema.com
Written Resources			Bresson, R. (1997). Notes on the Cinematographer (Trans. Jonathan Griffin). Copenhagen : Green Integer 1997. entire book as tumblr Eisenstein, S. (1968). The Film Sense (Trans. & Ed. Jay Leda). London: Faber & Faber Eisenstein, S. (1977). Film Form – Essays in Film Theory. (Trans. & Ed. Jay Leda). Harcourt, Brace & Co. LoBrutto, V. (1991). Selected Takes: Film editors on editing. New York: Praeger. Murch, W. (2001). In the Blink of an Eye: a perspective on film editing. Los Angeles : Silman-James Press. Mamet, D. (1992). On Directing Film. New York: Penguin. Ondaatje, M. (2003). The Conversations: Walter Murch and the Art of Editing. Bloomsbury Publishing. Pearlman, K. (2009). Cutting Rhythms: Shaping the Film Edit. Amsterdam, Boston: Focal Press/Elsevier. Pepperman, R. (2004). The Eye is Quicker: Film editing – making a good film better. Michael Wiese Productions.
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The MCCA production suites are located on both the 1st and 2nd floor of building 208.

Post-production facilities can be booked for 3-hour blocks. Booking is ESSENTIAL.

If you want to book the the suites please contact MCCA Store.

Please be aware that some suites require permission from tutors/unit coordinators.

MCCA post-production suites are available to all students enrolled in production units. Booking is essential!

To use these facilities start here, or contact Joachim or Adam.

1st year Editing Suites

BOOK IN ADVANCE

Classes Running have priority to suites

No permission from tutor/unit coordinator required

208.118/118A

208.119/119A

208.120/120A

208.121/121A

2nd/3rd year Editing Suites

BOOK IN ADVANCE

Classes Running have priority to suites

No permission from tutor/unit coordinator required

208.228A

208.228B

208.229B

208.229C

Premiere Pro Resources

A full selection of tutorial videos on how to work Premiere Pro

Web Resources

Walther Murch's Rule of Six - making editing decisions

Wolfcrow - workflows for filmmakers and media professionals

Expanded Cinema

Film Technique and Film Acting: The cinema writings of V. I. Pudovkin.

S. Eisenstein: Notes of a Film Director

A Field in England: A Film4 Masterclass

Art of the Title: Film Title Sequences explored and analysed with great examples in HD.

Australian Screen Editors

Splice Here (Steve Cohen)

Creative Cow

Larry Jordan’s Tips

Ken Stone

HD for Indies

Post Production Standards

Senses of Cinema

Written Resources

entire book as tumblr

Eisenstein, S. (1977). Film Form – Essays in Film Theory. (Trans. & Ed. Jay Leda). Harcourt, Brace & Co.

Ondaatje, M. (2003). The Conversations: Walter Murch and the Art of Editing. Bloomsbury Publishing.

Pepperman, R. (2004). The Eye is Quicker: Film editing – making a good film better. Michael Wiese Productions.

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