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Click on Pages in the menu bar on the left for a full list of all available topics.Editors, start in the Adobe Premiere Pro sub-section located in the /wiki/spaces/CKB/pages/2592215 main section.Cinematographers and Sound crew, start in the Production Equipment sub-section, located in the Production main section.Please scroll down for a full contents list. |
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Looking for the Fine Arts? |
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Looking for the Hayman Theatre Wiki ? |
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Contact CPSU Staff |
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title | Quick Links |
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Below is a list of Quick Links for fast access to popular and useful pages
Technical Pages
Setting up Assignment Folder in HAL
Commence the Premiere Pro Editing Workshop
Commence the Soundscape Workshop
/wiki/spaces/CKB/pages/2583475
Archival/Stock Footage sites
Forms and Documents
Project Approval Form
Equipment Booking Form
Field Safety and Risk Assessment Form
Production Forms (Continuity Sheets etc.)
Other
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Sign up to Beatbox (Production Music)
Find Production Music
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As an MCASI Screen Arts and/or Journalism Student you are required to familiarise yourself with the 'MCASI - Procedure and Protocols' Guide. Go here to do so. |
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Want to find out what kind of equipment you'll have available to you in the first year, or second year, or third year? Go here. |
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title | NEW STUFF |
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The 'Adding Text and Titles' page has been updated with instructions on Premiere Pro's new Essential Graphics Panel
There are guides on how to ingest media from your smartphone
There is a new section with interesting video tutorials and another new section with some inspirational and educational short films
As part of the new process, there have also been changes to the Folder Structure step
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title | YOU...YOU THERE! YES YOU |
Notice any faulty equipment while shooting?
Follow this process and notify the MCASI Store staff upon equipment return so that faulty items can be repaired and/or replaced.
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Need some inspiration? Get your random Oblique Strategy here |
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title | NEWS & ARTICLES |
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Copyrights and Fair Use For Filmmakers
How Vertigo foreshadowed 'catfishing' AI and #MeToo
Perth directors Zak Hilditch, Ben Young and Grant Sputore are firmly in Hollywood’s embrace
Star Wars: The Last Jedi visual effects revealed
Andy Serkis: Could computers replace actors?
Guardians of the Galaxy Vol. 2: Visual effects revealed
War for the Planet of the Apes: Visual effects revealed
Blade Runner: How we recreated a character
Waving a Fake Gun Around is a Bad Idea
"I've always loved heist films" - behind-the-scenes with Director James Marsh
How Bonnie and Clyde's Final Scene Changed Hollywood
Peter Jackson's Wingnut Studios reveals augmented reality (AR) demo
Why Star Wars should have stopped at just one film
How sound effects are really made
Cinema ticket prices shaped by demand
Safety on Set - Actors are not immune from serious injury while filming
So long 3DTV - we won't miss you
Filmmaking and Science of Perception
Why Reservoir Dogs is really an anti-violence film
David Lynch's Blue Velvet is terrifying, seductive, and ahead of its time
BBC Culture polled film critics from around the world to determine The 100 Greatest American Films
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