2.1.10 - SPRO3007/VISA3024: Major Project Pre-Production/Production

Location Equipment and Recording

Camera:

Sony FX6  with proprietary batteries and power supply/charger – in road case.

Recording Medium:

Sony 80GB CFExpress Type A Card

Tripod:

Miller Compass CX8 Tripod – in fabric carry case

Sound:

Zoom F8n Pro Recorder

Sennheiser ME66 Microphone with Shock Mount and Windsock

Sennheiser EW122 Radio Lapel Microphones

Headphones for Mixer and Headphones for Camera

Boom Pole

Assorted Batteries (9V & AA) and XLR Cables

Lights:

Prolycht Orion 300 FS RGB Light

Nanlite Forza 300B II Light

Aputure LS60X 3 Point Lighting Kit

Arri Sun 1200 HMI

Nanlite MixPanel 60 RGB Light

Aputure Light Modifiers

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Accessories:

Dollies – Spider

Lighting Gels and Scrims

Reflectors

Power cables and power distribution boards

Safety equipment - sandbags, reflective vests

Accessories Requiring Academic Approval:

DJI RS 3 Pro Gimbal

Portable Chroma Key Screen

Jib Arm

HMI 1200W Light

Wally Dolly Track Kit

Low Rider for Wally Dolly

**To gain access to High Risk equipment will be required to attend a Safe Working Procedure OHS Compliance Workshop.

Recording Format

These are the Recording Formats based on the unit and the equipment, specifically for the camera used for the assignment.

Check these settings when collecting camera equipment from the MCASI Store, and if they are different, please ask one of the technical staff or the MCASI Store for assistance in re-setting them to the above parameters.

Editing and Post- Production

Students enrolled in SPRO3007/VISA3024 Major Project Pre-Production/Production as part of a Screen Arts major or minor will use Mac based Adobe Premiere Pro for editing and post-production.

Data-wrangling and Importing Media

Media is data-wrangled into an appropriate folder structure on the MCASI Server using the CFExpress Reader, and subsequently imported into Premiere through the Project Browser Panel.

Each step in the process is detailed in the Adobe Premiere Pro Section.

Timebase

25fps

Frame Size:

1920x1080 (16:9)

Pixel Aspect Ratio

Square Pixels (1.0)

Exporting (Submitting Work)

Format:

QuickTime

Video Codec:

H.264

Quality:

100

Width:

1920

Height:

1080

Frame Rate: 

25

Field Order:

Progressive

Aspect:

Square Pixels (1.0)

Audio Codec:           

Uncompressed

Sample Rate:

48kHz

Channels:

Stereo

Sample Size:

16-bit

Audio Track Layout:

Single Track

• This export must have RAZOR added to the Output name.

• This export should also be CLEAN, meaning no Bars and Tone, Ident Slate or Universal Counting Leader.

Format:

QuickTime

Video Codec:

Apple ProRes 422 (HQ)

Quality:

100

Width:

1920

Height:

1080

Frame Rate: 

25

Field Order:

Progressive

Aspect:

Square Pixels (1.0)

Audio Codec:           

Uncompressed

Sample Rate:

48 000 Hz

Channels:

Stereo

Sample Size:

16-bit

Equipment Availability

• Maximum two day consecutive booking or over weekend loan

• Booking MUST be made at least 24hours before collection

• Access to equipment is always at the Supervising Tutor’s discretion

• Any group returning equipment later then the nominated ‘return time’, risks the action being deemed as an unauthorised extension.

To gain access to equipment students MUST present the appropriate Project Approval signed by their tutor and/or Unit Coordinator along with the relevant Risk Assessment documentation.