Premiere Pro Editing Suites
- Joachim Strand (Unlicensed)
- Adam Barrett
The MCASI production suites are located on both the 1st and 2nd floor of building 208.Post-production facilities can be booked for 3-hour blocks. Booking is ESSENTIAL.If you want to book the the suites please contact MCASI Store.Please be aware that some suites require permission from tutors/unit coordinators. | ||||
1st year Editing Suites
| 208.118/118AEditing Software
Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers | 208.119/119AEditing Software
Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers | 208.120/120AEditing Software
Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers | 208.121/121AEditing Software
Premiere Pro CC Equipment 2 x 27' iMac 3.7 GHz Intel Core i7 SD/CF Card Reader Speakers |
2nd/3rd year Editing Suites
| 208.228AEditing Software
Premiere Pro CC Equipment 4 x 27' iMac 3.2 GHz Intel Core i5 w/additional 27' Apple Thunderbolt Display Edirol Speakers | 208.228BEditing Software
Premiere Pro CC Equipment 4 x Mac Pro 2 x 2.4 GHz Quad-Core Intel Xeon with dual 27' Apple Thunderbolt Display Edirol Speakers | 208.229BEditing Software
Premiere Pro CC Equipment 4 x 27' iMac 3.2 GHz Intel Core i5 w/additional 27' Apple Thunderbolt Display Edirol Speakers | 208.229CEditing Software
Premiere Pro CC Equipment 4 x 27' iMac 3.2 GHz Intel Core i5 w/additional 27' Apple Thunderbolt Display Edirol Speakers |
Premiere Pro Resources | A full selection of tutorial videos on how to work Premiere Pro | |||
Web Resources | Walther Murch's Rule of Six - making editing decisionshttp://videoandfilmmaker.com/wp/index.php/tutorials/film-editing-walter-murchs-rule-6/Wolfcrow - workflows for filmmakers and media professionalshttp://wolfcrow.com/Expanded Cinemahttp://www.vasulka.org/Kitchen/PDF_ExpandedCinema/ExpandedCinema.htmlFilm Technique and Film Acting: The cinema writings of V. I. Pudovkin.https://archive.org/details/filmtechniqueact00pudoS. Eisenstein: Notes of a Film Directorhttps://archive.org/details/notesoffilmdirec00eiseA Field in England: A Film4 Masterclasshttp://www.afieldinengland.com/masterclass/Art of the Title: Film Title Sequences explored and analysed with great examples in HD.http://www.artofthetitle.com/Australian Screen Editorswww.screeneditors.comSplice Here (Steve Cohen)http://splicehere.wordpress.comCreative Cowhttp://forums.creativecow.netLarry Jordan’s Tipswww.larryjordan.bizKen Stonewww.kenstone.netHD for Indieswww.hdforindies.comPost Production Standardshttp://editingstandards.blogspot.comSenses of Cinemawww.sensesofcinema.com | |||
Written Resources | Bresson, R. (1997). Notes on the Cinematographer (Trans. Jonathan Griffin). Copenhagen : Green Integer 1997.
Eisenstein, S. (1968). The Film Sense (Trans. & Ed. Jay Leda). London: Faber & FaberEisenstein, S. (1977). Film Form – Essays in Film Theory. (Trans. & Ed. Jay Leda). Harcourt, Brace & Co.LoBrutto, V. (1991). Selected Takes: Film editors on editing. New York: Praeger.Murch, W. (2001). In the Blink of an Eye: a perspective on film editing. Los Angeles : Silman-James Press.Mamet, D. (1992). On Directing Film. New York: Penguin.Ondaatje, M. (2003). The Conversations: Walter Murch and the Art of Editing. Bloomsbury Publishing.Pearlman, K. (2009). Cutting Rhythms: Shaping the Film Edit. Amsterdam, Boston: Focal Press/Elsevier.Pepperman, R. (2004). The Eye is Quicker: Film editing – making a good film better. Michael Wiese Productions. | |||
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