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Equipment Booking - Journalism
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MCASI Connect - MCASI Server - Setting Up an Assignment Folder 2.0
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Screen Arts Quick Guide to Production Equipment
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Curtin MCASI Production Wiki
Start Here!
Good Hygiene Protocols and Resources
Concept Proposal and Risk Assessments
Essential Forms, Guides and External Resources
Drones & Remotely Piloted Aircrafts (RPA)
Pre-Production
Procedures and Protocols - School of Media, Creative Arts and Social Inquiry
Safe Working Procedures
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MCASI Appropriate Footwear for TV Studio and Equipment Transport
Post Production
Unit Specific
Fun Stuff...
Production
How-to Articles...
Working with Smart Devices
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External Resources
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Screen Arts & Journalism
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Manual Connection MCASI Server (Mac) 2.0
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Pre-Production
Summarize
Pre-Production
Joachim Strand (Unlicensed)
Owned by
Joachim Strand (Unlicensed)
Last updated:
Aug 07, 2017
1 min read
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The following section contains all the pages that relate to the pre-production part of your project.
Production
/wiki/spaces/CKB/pages/2592215
Pages
Procedures and Protocols - School of Media, Creative Arts and Social Inquiry
Part 2 - Unit Procedures and Protocols
2.1 - Screen Arts Production Units
2.1.3 - SPRO2001: Screen Production Using Digital Effects
2.1.4 - SCST2009: Experimental Screens
2.1.5 - SPRO2003: Drama Narrative
2.1.6 - SPRO3003: Advanced Studio Production
2.1.8 - SPRO3004: Community Media Production
2.1.2 - SPRO2000: Studio Production
2.1.10 - SPRO3007/VISA3024: Major Project Pre-Production/Production
2.1.11 - Master and Razor Export
2.1.1 - SPRO1000: Introduction to Screen Practice
2.2 - Journalism Production Units
2.2.9 - JOUR3009: Photo Journalism
2.2.3 - JOUR2002: Video News
2.2.8 - JOUR3005: Feature Writing
2.2.7 - JOUR3004: Advanced Broadcast
2.2.2 - JOUR2000: Radio News
2.2.4 - JOUR2003: News Writing and Reporting
2.2.6 - JOUR3003: Online Journalism
2.2.5 - JOUR3000: Print Production
2.2.1 - JOUR1000: Introduction to Print
Part 3 - Music: Licenses, Agreements and Copyright
3.1 - Creating the Music Yourself
3.2 - Music from the Internet
3.3 - Creative Commons Licenses
3.4 - Unsigned Band / Musician / Composer
3.5 - Major Record and Publishing Company - Commercial Music
3.6 - Production Music
3.7 - Creative Commons Music
3.8 - Finding Music for your Production
3.9 - Adding Music to your Production
3.10 - Compliance Check and Production Identification
3.11 - APRA AMCOS Blanket Agreement
3.12 - APRA AMCOS & Beatbox Music Library
3.13 - Production Sound Effects (SFX)
Part 4 - Supplementary Information
4.1 - Course Ethos
4.2 - Copyright (Mechanical)
4.3 - Distribution, Competition and Festivals
4.4 - Credits and Acknowledgements
4.5 - Incidental Fees and Access to Materials
4.6 - Ethical Guidelines and Requirements for Students of Screen Arts at Curtin University
1.1 - Equipment Booking Procedure
1.1.F - Equipment Booking During Scheduled Class Time
1.1.E - Consecutive Shoot Days
1.1.C - Location Agreements/Safety Clearance
1.1.A - Obtain Project Approval
1.1.G - Equipment Booking for Out of Class Workshops
1.1.D - Equipment Booking Flow - MCASI Store
1.1.B - Clearances/Production Ident Slate
1.2 - Collecting and Returning Equipment
1.2.D - Reporting Damage or Operational Problems
1.2.B - Late Collection
1.2.A - Collecting Equipment
1.2.C - Returning Equipment
1.2.F - Incident Reporting and Personal Accident Procedure
1.2.E - Curtin University Policy
1.3 - Booking Facilities Procedures
1.3.B - Studio Booking Procedures for Non-Assessable Projects
1.3.C - Editing and Post-Production Bookings
1.3.D - Submitting Your Work
Safe Working Procedures
Lighting: Introduction to Lighting Safety
Lighting: Safe Working Procedure
HMI Light Operation & Safety
HMI Lighting: Safe Working Procedure
Cineroid LM400-VCD LED location light
Wally Dolly Track Kit
MCASI Appropriate Footwear for TV Studio and Equipment Transport
GET IN TOUCH
Contact CPSU Staff
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